UtopiaDiner

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This is a repository of things that I like.

I'm a theater director.

http://michaelrau.com

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    dadsaretheoriginalhipster:

Happy Friday from Dads are the Original Hipsters. Party like your dad would tonight. 

    dadsaretheoriginalhipster:

    Happy Friday from Dads are the Original Hipsters. Party like your dad would tonight. 



    Reblogged from Dads are the Original Hipsters.

    March 02, 2012, 5:27pm  Comments

    timetravelswithoutamachine:

photojojo

    timetravelswithoutamachine:

    photojojo

    (Source: staysuckafree)



    Reblogged from TIME TRAVELS WITHOUT A MACHINE.

    March 02, 2012, 5:23pm  Comments

    cavetocanvas:

William Kentridge, drawing from Stereoscope, 1998-99
From MoMA:

This drawing was executed along with the animated filmStereoscope, the eighth in Kentridge’s decade-long series featuring Soho Eckstein, the archetypal white Johannesburg businessman of the post-apartheid era and an alter ego of the artist. The role of drawings in Kentridge’s oeuvre has developed over time. Initially created in service to his films, they gradually took on a more independent life, and in 1992 the artist began showing them separately.
Here Eckstein stands in a room, knee–deep in water. It seems to be pouring from his dark business suit, as if, underneath, his whole body is crying. A vertical blue line rends the upper part of the picture in two and falls on the back of his inclined head like a reminder from his conscience. Eckstein has to cope with the horrifying past of his country, Kentridge has written, and find a line “between choosing a more solitary life or being promiscuously social.” For the artist the drawing is a ghost image, a witness to “the extent to which politics does or does not find its way into the private realm.”

    cavetocanvas:

    William Kentridge, drawing from Stereoscope, 1998-99

    From MoMA:

    This drawing was executed along with the animated filmStereoscope, the eighth in Kentridge’s decade-long series featuring Soho Eckstein, the archetypal white Johannesburg businessman of the post-apartheid era and an alter ego of the artist. The role of drawings in Kentridge’s oeuvre has developed over time. Initially created in service to his films, they gradually took on a more independent life, and in 1992 the artist began showing them separately.

    Here Eckstein stands in a room, knee–deep in water. It seems to be pouring from his dark business suit, as if, underneath, his whole body is crying. A vertical blue line rends the upper part of the picture in two and falls on the back of his inclined head like a reminder from his conscience. Eckstein has to cope with the horrifying past of his country, Kentridge has written, and find a line “between choosing a more solitary life or being promiscuously social.” For the artist the drawing is a ghost image, a witness to “the extent to which politics does or does not find its way into the private realm.”



    Reblogged from Cave to Canvas.

    March 01, 2012, 4:23pm  Comments

    iheartmyart:

    Blanket Octopus

    (via atencion:dimshala:howweknewit)



    Reblogged from iheartmyart ♥.

    February 13, 2012, 4:28am  Comments

    cavetocanvas:

Jenny Holzer“Sign on a Truck”Public Art Fund, 1984Screen: 13.5’x18’
(Submitted by publicartfund)

    cavetocanvas:

    Jenny Holzer
    “Sign on a Truck”
    Public Art Fund, 1984
    Screen: 13.5’x18’

    (Submitted by publicartfund)



    Reblogged from Cave to Canvas.

    February 13, 2012, 2:05am  Comments

    (Source: effington)



    Reblogged from Pleated Jeans.

    February 13, 2012, 2:04am  Comments

    timetravelswithoutamachine:

melisaki: untitled, shot by Billy Kidd, 2011, via: nkym

    timetravelswithoutamachine:

    melisaki: untitled, shot by Billy Kidd, 2011, via: nkym



    Reblogged from TIME TRAVELS WITHOUT A MACHINE.

    February 13, 2012, 2:00am  Comments

    cavetocanvas:

Thomas Eakins, The Agnew Clinic, 1889

    cavetocanvas:

    Thomas Eakins, The Agnew Clinic, 1889



    Reblogged from Cave to Canvas.

    February 09, 2012, 8:00am  Comments

    » Don't let your robots wander off? ALSO THE FUTURE IS SCIENCE!

    barackobama:

    “I’m going to make a special plea to the press—not just the folks who are here, but also your editors—give this some attention. This is the kind of stuff, what these young people are doing, that’s going to make a bigger difference in the life of our country over the long term than just about…



    Reblogged from Obama for America.

    February 08, 2012, 8:31pm  Comments

    kateoplis:

Serengeti

    kateoplis:

    Serengeti



    Reblogged from kateoplis.

    February 08, 2012, 8:27pm  Comments